Thread: Please check the translation of this little story.

Церковь Св. Степана, мученика, была другой довернной Фёдору. Церковь близ города и сумасшедшего дома. Только короткое время Фёдор оставал церкови Св. Степана. Дом попа сейчас - детский сад.

The church of St. Stephen the martyr was another entrusted to Fyodor. The church was close to a to a town and a lunatic asylum. Fyodor remained only a short time at the church of St. Stephen. The house of the priest is now a kindergarten.

Thanks kib. Since serfdom was still in force in Russian at the time of the story, I imagine that the village should belong to the nobleman. And since the story is set in Russia, the low stone wall, as interesting feature as it is, should become a hegde, or fence.

Церковь Святого Стефана - мученика также была доверена Федору. Церковь стояла рядом с городом и сумашедшим домом. Федор проводил совсем немного времени в церкви Святого Стефана. Дом священника был переоборудован в детский сад (использовался как детский сад).

Thanks, Larusja.

Сын Фёдора, Иван, банкир, женился на Марие, аристократической девушке, которая реально любила муж её сестры, Игор, торговец. Игор и Иван были двоюроднами братья. Игор также любил Марию, и стал реальным отцом первого сына Марии. Этот сын наследовал его способность к шахматами от реального отца, хорошего игрока. Вторый сын Марии также был отличным шахматистом. Он нaследовал eго способность к шахматами от реального отца, Брат Марии, который был отличным игроком.

Fyodor's son, Ivan, a banker, married Mary, an aristocratic girl who really loved/was in love with her sister's husband, Igor, a merchant. Igor and Ivan were cousins. Igor also loved/was in love with Mary, and became the real father of her first son. This son inherited his talent for chess from his real father, a good player. Mary's second son was also a distinguished chess player. He inherited his talent for chess from his real father, Mary's brother, who was an excellent player.

I imagine that someone may object to some of the content of this paragraph, but it is, of course, based on actual fact. Names and a few details have been changed to protect the innocent.

Сын Федора, банкир Иван, женился на Марии, девушке хорошего происхождения, которая, на самом деле, была влюблена в мужа своей сестры - торговца Игоря. Игорь и Иван были двоюродными братьями. Игорь отвечал Марии взаимностью, он был настоящим (биологическим) отцом её первого сына. Её сын унаследовал от биологического отца хорошие способности к игре в шахматы. Второй сын Марии также был выдающимся игроком. Он унаследовал свой талант от своего биологического отца, брата Марии, который тоже отлично играл в шахматы.

Thank you Larusja. You are so taciturn!

I think this text referring to a period of time which might have happened before 20th century
I doubt word "биологический" was commonly used that time. Maybe it is better to use word "родной" instead

568974044d02a754f46e37ac0dfe.jpgЖил слепой музыкант, котоpый иpгал музыку для Бога и цеpкови. Музыку нpавилась Богу, и Он пускал музыкант в сне слышать песни неба.

После слышания чуда музыкы, никогда не поыpгал на оpгане.

Коpоткое вpемя после эта, умеp слепой музыкант, и так мог слышaть песни неба всегда.

T*ere lived a blind musician wo used to play for God in c*urc*. T*e music pleased God and *e let t*e musician *ear t*e songs of *eaven in a dream.

After *earing t*e wonderful music, t*e organist never played again.

A s*ort time after t*is, t*e blind musician died and was able to listen to t*e songs of *eaven forever.

My keyboard is not producing a certain letter, sorry.

Louis Vierne was born in Poitiers, Vienne, nearly blind due to congenital cataracts, but at an early age was discovered to have an unusual gift for music. (At age two he heard the piano for the first time. The pianist played him a Schubert lullaby and he promptly began to pick out the notes of the lullaby on the piano.)
After completing school in the provinces, Louis Vierne entered the Paris Conservatory. From 1892, Vierne served as an assistant to the organist Charles-Marie Widor at the church of Saint-Sulpice in Paris. Vierne subsequently became principal organist at the cathedral of Notre-Dame de Paris, a post he held from 1900 until his death in 1937.
Vierne had a life that was physically and emotionally very difficult, with severe spiritual trials that are occasionally reflected in his music. His congenital cataracts did not make him completely blind, but he was what would be called today "legally blind." Early in his career, he composed on outsized manuscript paper, using "a large pencil" as his friend Marcel Dupré described. Later in life, as his limited sight continued to diminish, he resorted to Braille to do most of his work.
He was deeply affected by a separation and subsequent divorce from his wife, and he lost both his brother René and his son Jacques to the battlefields of World War I. Though he held one of the most prestigious organ posts in France, the Notre-Dame organ was in a state of disrepair throughout much of his tenure at the instrument. He eventually undertook a concert tour of North America to raise money for its restoration. The tour, which included major recitals on the famous Wanamaker Organ in Philadelphia and its smaller sister instrument, the Wanamaker Auditorium Organ in New York City,^[1] was very successful, although the trip physically drained him.
A street accident in Paris caused him to badly fracture his leg, and it was briefly thought his leg would need to be amputated. The leg was saved, but his recovery, and the task of completely re-learning his pedal technique, took a full year during one of the busiest times of his life. Despite his difficulties, however, his students uniformly described him as a kind, patient and encouraging teacher. Among his pupils were Augustin Barié, Edward Shippen Barnes, Lili Boulanger, Nadia Boulanger, Marcel Dupré, André Fleury, Isadore Freed, Henri Gagnebin, Gaston Litaize, Édouard Mignan, Alexander Schreiner, and Georges-Émile Tanguay.
Vierne suffered either a stroke or a heart attack (eyewitness reports differ) while giving his 1750th organ recital at Notre-Dame de Paris on the evening of 2 June 1937. He had completed the main concert, which members of the audience said showed him at his full powers - "as well as he has ever played." Directly after he had finished playing his "Stele pour un enfant defunt" from his 'Triptyque' Op 58, the closing section was to be two improvisations on submitted themes. He read the first theme in Braille, then selected the stops he would use for the improvisation. He suddenly pitched forward, and fell off the bench as his foot hit the low "E" pedal of the organ. He lost consciousness as the single note echoed throughout the church. He had thus fulfilled his oft-stated lifelong dream - to die at the console of the great organ of Notre-Dame. Maurice Duruflé, another noted French organist of the time was at his side at the time of his death. (from wikipedia).

Жил слепой музыкант, который играл музыку для Бога и церкви. Музыка понравилась Богу, и Он позволил музыканту во сне услышать песни небес.

После этого органист никогда не играл [вновь].

Спустя короткое время после этого, слепой музыкант умер, и смог слушать песни неба постоянно.

Many t*anks Evgeny Orlov. To me your *andle sounds aristocratic. Nice!

Другое из правил шахмат гласит, что кони двигяться перед слоновами. На пример этой реальной партии Фёдор преподал сыну урок шахмат и жизни, что духовно должно следит сладострастие.

1.e4 c5
2.b4 e6
3. bxc Bxc5?
4. d4 Bb4+
5.c3 Be7
6. Nf3 d5
7.e5 g5
8. Be2 g4
9.Nd2 f5
10. Ba3 Qa5
11.Bxe7 Nxe7
12. O-0 Nc6
13.Nb3 Qb6
14. Na3 Bd7
15. Rb1 O-O
16 Nc5 Qd8
17.f4 Rfd8
18.K*1 b6
19 Nxd7 Qxd7
20Nb5 a6
21.Nd6 b5
22.a4 bxa
23.Rb7 Qxb7
24.Nxb7 and wins.

One of te rules of c*ess says t*at knig*ts are moved before bis*ops. Wit* t*e example of t*is real game, Fyodor taug*t is son t*e lesson of c*ess and life, t*at in t*e course of a man's life spirituality must follow passion.

Many t*anks for your suggestion, Doomer. I agree wit* you about t*e use of t*e term "biological fat*er". And, by t*e way, your *andle inspires muc* terror and dread! T*e Doomer; xmmm...

Concerning Count Leo Tolsltoy from wikipedia:

His conversion from a dissolute and privileged society author to the non-violent and spiritual anarchist of his latter days was brought about by his experience in the army as well as two trips around Europe in 1857 and 1860–61. Others who followed the same path were Alexander Herzen, Mikhail Bakunin, and Peter Kropotkin. During his 1857 visit, Tolstoy witnessed a public execution in Paris, a traumatic experience that would mark the rest of his life. Writing in a letter to his friend Vasily Botkin: "The truth is that the State is a conspiracy designed not only to exploit, but above all to corrupt its citizens ... Henceforth, I shall never serve any government anywhere."^[7]

Одно из правил игры в шахматы гласит, что кони должны быть помещены перед слонами. Использовав эту партию как пример, Фёдор преподал сыну урок шахмат и жизни, показав, что в течение жизни человека духовность должна следовать за страстью.

Один день утром мужчина встретил старуха, ушлая из церкови. Смотрая в растение с жёлтами цветоками напротив восточного солнеця, спросил он, "Подсолнечникы?" "Нет", сказала.
Послеобеднным временом, пошлая дому мужчина видел сомое растение а с цветоками напротив западского солнеця. Спросил другую женшину, "Подсолнечникы?" "Да", сказала.

One day, in t8e morning a man met an old woman coming out of c8urc8. Looking at a plant wit8 yellow flowers facing t8e eastern sun, 8e asked, Sunflowers? No, s8e said.

In t8e afternoon, going 8ome, te man saw t8e same plant, but wit t8e flowers facing t8e western sun. 8e asked anot8er woman, "Sunflowers ?" Yes, s8e said.

Sunday, October 9t8, 2011, by Martin Miles.

Again I regret omitting some details because of time constraints. Sorry.



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Originally Posted by Martin Miles

Один день утром мужчина встретил старуха, ушлая из церкови. Смотрая в растение с жёлтами цветоками напротив восточного солнеця, спросил он, "Подсолнечникы?" "Нет", сказала.
Послеобеднным временом, пошлая дому мужчина видел сомое растение а с цветоками напротив западского солнеця. Спросил другую женшину, "Подсолнечникы?" "Да", сказала.

One day, in t8e morning a man met an old woman coming out of c8urc8. Looking at a plant wit8 yellow flowers facing t8e eastern sun, 8e asked, Sunflowers? No, s8e said.

In t8e afternoon, going 8ome, te man saw t8e same plant, but wit t8e flowers facing t8e western sun. 8e asked anot8er woman, "Sunflowers ?" Yes, s8e said.

Sunday, October 9t8, 2011, by Martin Miles.

Again I regret omitting some details because of time constraints. Sorry.



1aaaaaa.jpg

Однажды утром мужчина встретил старуху, выходившую из церкви. Смотря, как цветок с желтыми лепестками разворачивается навстречу восточному солнцу, он спросил: "Подсолнухи?".
"Нет", сказала женщина. После обеда, на пути домой, мужчина увидел тот же цветок, повернутым к солнцу на запад. Он спросил другую женщину: "Это подсолнух?". "Да", ответила женщина.

There's something wrong with your 'h' key, by the way.

Ramil returns! T8anks for your version of t8e "story",and welcome back. And yes you're rig8t; t8e said key of t8e laptop I use, (not mine) does not work.

Слова "ушлый" и "пошлый" не имеют никакого отношения к глаголам движения.