Thread: Please check the translation of this little story.

568974044d02a754f46e37ac0dfe.jpgЖил слепой музыкант, котоpый иpгал музыку для Бога и цеpкови. Музыку нpавилась Богу, и Он пускал музыкант в сне слышать песни неба.

После слышания чуда музыкы, никогда не поыpгал на оpгане.

Коpоткое вpемя после эта, умеp слепой музыкант, и так мог слышaть песни неба всегда.

T*ere lived a blind musician wo used to play for God in c*urc*. T*e music pleased God and *e let t*e musician *ear t*e songs of *eaven in a dream.

After *earing t*e wonderful music, t*e organist never played again.

A s*ort time after t*is, t*e blind musician died and was able to listen to t*e songs of *eaven forever.

My keyboard is not producing a certain letter, sorry.

Louis Vierne was born in Poitiers, Vienne, nearly blind due to congenital cataracts, but at an early age was discovered to have an unusual gift for music. (At age two he heard the piano for the first time. The pianist played him a Schubert lullaby and he promptly began to pick out the notes of the lullaby on the piano.)
After completing school in the provinces, Louis Vierne entered the Paris Conservatory. From 1892, Vierne served as an assistant to the organist Charles-Marie Widor at the church of Saint-Sulpice in Paris. Vierne subsequently became principal organist at the cathedral of Notre-Dame de Paris, a post he held from 1900 until his death in 1937.
Vierne had a life that was physically and emotionally very difficult, with severe spiritual trials that are occasionally reflected in his music. His congenital cataracts did not make him completely blind, but he was what would be called today "legally blind." Early in his career, he composed on outsized manuscript paper, using "a large pencil" as his friend Marcel Dupré described. Later in life, as his limited sight continued to diminish, he resorted to Braille to do most of his work.
He was deeply affected by a separation and subsequent divorce from his wife, and he lost both his brother René and his son Jacques to the battlefields of World War I. Though he held one of the most prestigious organ posts in France, the Notre-Dame organ was in a state of disrepair throughout much of his tenure at the instrument. He eventually undertook a concert tour of North America to raise money for its restoration. The tour, which included major recitals on the famous Wanamaker Organ in Philadelphia and its smaller sister instrument, the Wanamaker Auditorium Organ in New York City,^[1] was very successful, although the trip physically drained him.
A street accident in Paris caused him to badly fracture his leg, and it was briefly thought his leg would need to be amputated. The leg was saved, but his recovery, and the task of completely re-learning his pedal technique, took a full year during one of the busiest times of his life. Despite his difficulties, however, his students uniformly described him as a kind, patient and encouraging teacher. Among his pupils were Augustin Barié, Edward Shippen Barnes, Lili Boulanger, Nadia Boulanger, Marcel Dupré, André Fleury, Isadore Freed, Henri Gagnebin, Gaston Litaize, Édouard Mignan, Alexander Schreiner, and Georges-Émile Tanguay.
Vierne suffered either a stroke or a heart attack (eyewitness reports differ) while giving his 1750th organ recital at Notre-Dame de Paris on the evening of 2 June 1937. He had completed the main concert, which members of the audience said showed him at his full powers - "as well as he has ever played." Directly after he had finished playing his "Stele pour un enfant defunt" from his 'Triptyque' Op 58, the closing section was to be two improvisations on submitted themes. He read the first theme in Braille, then selected the stops he would use for the improvisation. He suddenly pitched forward, and fell off the bench as his foot hit the low "E" pedal of the organ. He lost consciousness as the single note echoed throughout the church. He had thus fulfilled his oft-stated lifelong dream - to die at the console of the great organ of Notre-Dame. Maurice Duruflé, another noted French organist of the time was at his side at the time of his death. (from wikipedia).

Жил слепой музыкант, который играл музыку для Бога и церкви. Музыка понравилась Богу, и Он позволил музыканту во сне услышать песни небес.

После этого органист никогда не играл [вновь].

Спустя короткое время после этого, слепой музыкант умер, и смог слушать песни неба постоянно.

Many t*anks Evgeny Orlov. To me your *andle sounds aristocratic. Nice!